originally published June 9, 2017 Of the films that comprise Refn’s Neon Trilogy, Only God Forgives is simultaneously the most narratively straight-forward and also the most obtuse. The events of the film follow a simple enough structure – man commits crime, is killed for it, brother seeks revenge – but everything else is murky, fromContinue reading “Essay: Reaching, Holding, Fighting: Hands in ‘Only God Forgives’”
Monthly Archives: January 2020
STOP COPYING ME!
a short film written by myself and my 8-year-old son Srikanth 1 EXT. HOUSE – DAY A modest house in a modest neighborhood. A ‘For Sale’ sign in the yard, a pickup loaded with boxes in the driveway. 2 INT. HOME – DAY Slow pan through the home at child-level. Moving boxes stacked. This isContinue reading “STOP COPYING ME!”
the flawless frame 