Flawless Frames: NIGHTCRAWLER

Cinematographer Robert Elswit won the Oscar in his field for Paul Thomas Anderson’s 2007 film THERE WILL BE BLOOD. Seven years later, with acclaimed writer Dan Gilroy’s directorial debut NIGHTCRAWLER, the DP created a visual aesthetic that in many ways can be considered a dark reflection of the former film. In both, the landscapes –Continue reading “Flawless Frames: NIGHTCRAWLER”

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