When David Fincher set out to adapt Chuck Palahniuk’s hyper-violent novel FIGHT CLUB, the first and only film that sprang to his mind was Stanley Kubrick’s absurd nod to ultra-toxic masculinity, A CLOCKWORK ORANGE, itself an adaptation of the novel by Anthony Burgess. The result was a murky counterpart to Kubrick’s film; where CLOCKWORK wasContinue reading “CinemaGrids: FIGHT CLUB/ A CLOCKWORK ORANGE”